Migrations
that must needs void memory,
Inventions that cobblestone the heart,-
Unspeakable Thou Bridge to Thee, O Love.
I |
Love Letter to a Memory |
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II |
Death in a Winter Sky |
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III |
Tenebrae |
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IV |
Another First Date |
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V |
A Random Phonecall |
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VI |
Reflections Upon Rejections |
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VII |
Girl Before A Mirror, 1932 |
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VIII |
The Lost City Revisited |
Never
again the finite twilight gazed through opium fulcrum of
languorous indifference.
Never
more the barren scratches on well-creamed flesh, the harrowing
banality of marriage.
Not
the possibility of life engendering life, the cyclic delusion of
evolution, the compress of comfort in the union procreative of
companionship.
Nor
the love from one who loves what one loves leading to new loves
unforeseen in the ebony of sleep.
Cold
Winter claw tracing rose petals from her tight cheeks an image: closed within me forever, closed within me like eternal love forever crushing within me everything, everything that was or is beautiful that was is tender gentle in its sacred bliss, Sanctified by the noblest pain, that pain crazy in its trashed delirium, like her long flowing flaxen hair a veil across my delicious face full in a dead dream, like her light pink smooth aureole promise to be kept in ever-adjacent pasts, like my tanged tongue flicking perpetually her erect clitoris as my tears helplessly caress her strawberry hairs, as my fingers swirl in her wet satin buttocks, as I suffocate, suffocate in my love for you. |
Snow flakes tread down the lamp glow night sky –
her soul tattered scraps float into my tears – the snow is her love, she, the night, hiding just above the city night’s light. Come to me, oh come to me my love! A flake melts in a tear and I know she has died forever in that past I unconsciously destroyed and consciously protect from forgetting. Yes, each snowflake is a kiss, an embrace from her. She sends me her yearning. The ceaseless march of snow slowly falling falls from her immortal need. How could I leave her? How could I destroy her? How could I twist her into a deformed contradiction of what I so tenderly once loved? And how can she, now the winter night, forgive me so gracefully, calmly, with such gentle compassion and slow excess of mercy? Are not these melting snows the stains of my own sins? And yet I know she rests there, behind the night above the street lamps’ glow in the snow fall, she lies there in a languor replete with the absolute fulfillment of my perfect love for her, however late that love has come, and yes it has come for thee my love, so that each dot of pain and worry that might once have seemed like an insurmountable sun scorching the sinuous sands shivering under North African serpentine wind, now calms and fades and dies like my gasps as I tilt my flooded face up towards thy beatific, incomprehensible, invisible smile. The glistening of the snow must be the glint in her happy eyes for I know she loves me through the arch of time past she loves me still. Oh God! I hug the night and bend it like a spent dancer collapsed in my arms. Yes, the snow is her miraculous love! Let me bury in the snow till there is none left of me, till I am one with her love again! |
III Tenebrae |
Through
every woman I caress I search for you, not in a look, but in a Undated but before 3/1/90 |
N:
“Why are you the only one who understands me? No one else who ever
professed to love me or care for me understands me. They just criticize
and ridicule me.”
H: “That’s just because they don’t understand you.”
N: “No.” (Pause) “They just didn’t care.”
Happiness is freedom. Yet freedom is complex.
To
replace love with propriety, longing with measured concern, desire
with bleak north winds tossing a soiled skull through savoured midnight
mists, her injunction by insanity with my indifferent liberality, all
for freedom, for control over my own destiny, over myself, over the
absence that is my life, surely this rarifies the success of my emptiness
and the fulfillment of my postured self-contradicting negativity, the
harness for my ambivalence.
I
count five dim stars pulsing behind the St. Vincent’s School of Nursing,
a school usually empty, relieved to see at least some light beyond the
city, beyond my studio’s compress of lamp light licking the pelt of
cat
curtained in black and white fur, refracting from his imperturbably dim
witted apple green eyes confident affection and boredom.
Perfect
confinement there is no loss to the losing of loss alone upon
alone . . .
What is this futile, contorted dance, I with broken knees in fact and in
need, the arms pass from one chilling hug to the next, a seventeenth
century reel, the wax candle burnt smoke shifts in the rose champagne
drunk nostrils as sky blue satin squeaks against cloud white satin,
as lashes of lace hiss past rushes of silk, my poverty of means an
irrelevant confirmation of my paucity within execution, the benumbed
ritual of formal romantic indifference?
To waste the wasting wastes not the waste of my apparent potential, a
charmed possibility of sardonic regrets sound within discomforting good
manners. The aristocracy of alienation encompasses good humoredly the
narrow focus of dislocated harmony, a triad within itself consistent to
itself, but beyond its confines, misplaced and worthless. Yes, to be
polite to the empty and silly to the dumb, in need to the lender and
sensitive to the numb.
When will it stop! this immaterial loss of meter, this shameful sonata
of exhausted confessions, superficial and strained observations, the full
force of the most superior intellect to sift through some morass of
lifeless topics for some pithy, ill-fated remark?
How can I sing to the deaf? How can I paint a portrait with an empty eye?
Is this the innocuous coda to my most florid counterpoint?
Yes! The goal then is to reify my aloneness, to decline towards the open
plain as supply as the tulips bend to brush with their torn petals the
dusty plot in which their bulbs lie buried. Or perhaps to flee from the
slimy arms of negation as hurriedly as her normal lips disgustedly flinched
and jerked away to avoid my pessimistic labials! For why should I with
the seducer’s graceful ease gently conduct the cacophony of atonal silence
after insult to my love confessed tongue?
The reproach of the benignly mundane, a castigation that merely consoles
the safely dull rather than conforming the worn romantic, taps a steady
rhythm to this arrhythmic duet.
But what proud arabesques I, a failure, compose! Perhaps, after all,
union is a function of relaxation, not passion. Great love is perhaps
more akin to gratitude and constancy than to my silly pleas. Perhaps,
though, the simple are simply simple together, two easeful tunes in
parallel motion. Then how can I, a man who is himself a double fugue,
enhance my polyphony gracefully? Yet is not all music the expression of
desire?
And so now to you, teased, blond tinted hair bursting from a square
Ukrainian head, broad, honest face with charming, dark blue eyes, eager
and direct, plain sweet and attainable in your gaudy yet drab business
attire, shall I ignore our lack of common interest just as I try to
ignore your largish, somewhat ill-shaped nose and puffy eyes engorged
with labor and middle age, shall I therefore seek only the relief
of simultaneous orgasm from urban loneliness, or, in mordant variation,
Shall I justify the seduction of what is not a conquest by a feigned,
mock-delighted, pseudo-macho disgust, or, in retrograde motion, shall
I toast to our first and final drink?
Love
that transcends forgiveness, that transcends time’s lurid melody, Dearest
Lamb of God, slut of humanity, who steals the sins of my own A
flaxen leaf of hair, the cool lilac on your stoic profile, jut of chin Yet
behind that girl’s frieze-like gaze burns a jaundice sun of decadent, The
virgin harrowed in glass, a gasp from death, breasts disengaged Twist
and shun this imaged demise before those calm, unblinking eyes, |
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heart
flutters like a crack baby trembling under an oxygen tent, mind roams like a homeless man pan handling for change on any corner; thoughts as confused as the rummaged garbage, my debts honing down money like hungry cocaine whores on any corner; lungs full of the thick sooted smog, eyes tear in the urine stench on any corner: oh, Atlantis! This cancerous ravine’s noxious nausea grasps our blood-sac-somas like HIV protein claws clasping onto T-cell buds on any corner; the conflicted calls within my skull kill against kill like the gay-bashings and race-slayings and gang machine gun spray, the blight the self-hate like the incestual child rape, like the rotting dripping flesh off every corner: oh, Atlantis! thine broken sewers the neurons of memory, thine wrecked roads the transversals of time, thine abandoned walls the shields of democracy! |
Monastery
of myth, is thine maudlin maneuver as universal as this |
Sloops
sail the spangled swill like slugs sucking through the shallow
sewer sludge beneath that upper lip, the bracing bridge, entwined strands the scars of caresses, the cracks in labial flesh fold, the tracings of temptations, sail the sleek sleep like slender sleds sedulous through selachian sluices, seldom selecting selenite selves from the sequined seltzer, slovenly sequacious they settle in circles round the bridge staffs, beneath its cantilevers, like sentinels before a seraglio, while their sheets slacken in unison to form unfolding sepals to stamen, while serval traffic trespass sibilant above on the slim slope of shuttle that commutes the conscripted from the swamps of Brooklyn and Indian Manhattan, while seagulls like stylites pose on pillars before Stygian sun, stooped to plunge into Silurian shoals the shallops shrug – Oh Sibylline arc of the Siren’s smile! Shall I shrivel in this shrive before the seneschal’s sickle slashes this corporeal shackle from my sifted soul? |
Disgust shields the monk as solitude silkens disappointment. In the |
Goodbye, Adieu. May you reach the repose your death demands: |
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Quiescent
slow blue grey flap of wings |
uplift
from the grim lagoon, |
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the
crane’s heart stops madly in startled ascent through humid frozen |
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FINIS |
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